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The DeBarges were originally a gospel act that moved into the worlds of R&B and pop that same sort of transition is exactly what Kanye tries to sell on “Highlights,” Ray J line and all.īy the time Dark Fantasy reached retail shelves, it had sprawled into the stratosphere: an average track time well over five minutes, orchestras, choirs, Elton John. El DeBarge, of the sibling R&B group from Detroit that scored a trio of gold-selling albums in the early ’80s, provides backing vocals on the Thug-featuring “Highlights,” one of the two tracks West played during his Saturday Night Live appearance. The pair’s first album, Friend of Mine, is dance music that might be designed as a communal act, but works just as well - maybe better - as a study in how the genre reads to you alone, on the highway, with your phone on airplane mode.Īnd now we extend an apology to those who argued all along that a Young Thug–DeBarge collaboration was inevitable. 1” is the only producer drop ever to receive prominent placement on a Kanye West album, and he also contributed to “FML,” “Waves,” and “Facts.” The nihilistic 2014 mixtape Monster, executive-produced by Metro, is widely seen as the beginning of the rapper’s current critical and commercial hot streak.ĭJ Dodger Stadium, Friend of Mine (Body High, 2014)ĭJ Dodger Stadium, the L.A.-based duo comprised of Jerome LOL and Samo Sound Boy, were brought in during the final weeks of Pablo sessions they’re credited on five songs, and “Ultralight Beam” and “Fade” in particular bear their fingerprints. The influence of Future’s main producer, Metro Boomin, can also be felt all over Pablo: “If young Metro don’t trust you I’m gon’ shoot ya” in “Father Stretch My Hands, Pt. But Desiigner is copying Future’s drug-fueled monotone of the last few months for a more upbeat, wide-ranging record, try his 2012 debut, Pluto. In fact, it’s a young sound-alike from Brooklyn named Desiigner who - despite having only one song on his SoundCloud page - was recently announced as the newest signee to G.O.O.D. 2” and “Freestyle 4” feature Future, the Atlanta rapper who took 2015 by the throat. Listeners might be excused for thinking that the songs “Father Stretch My Hands, Pt. #10Day made him a local star and showcases his expressive, emotional tone.įuture, Pluto (Freebandz/Epic, 2012) and Monster (produced by Metro Boomin self-released, 2014) But to find the roots of Chance’s standout verse on “Ultralight Beam,” you have to trace his development back to this 2012 debut. This Chicago rapper has made no effort to conceal the extent of Kanye’s influence on him: His breakthrough 2013 mixtape, Acid Rap, opened with a song, “Good Ass Intro,” which borrows its name from a proposed West album title and its chorus from one of the elder Chicagoan’s mixtapes. No sprints, but Marathons like most of us are on.”Ĭhance the Rapper, #10Day (self-released, 2012) He is my brother I am proud to do life with. Franklin’s very presence on Pablo helped legitimize the album to those who were skeptical of the gospel label Kanye had claimed for it, and he wrote in a heartfelt Instagram post: “Kanye is not me. Jakes–featuring “911” ruminates on life in the immediate wake of the September 11 attacks. But Franklin’s focus was more external: The T.D. Kirk Franklin, The Rebirth of Kirk Franklinįranklin is that big voice at the end of Pablo opening track “Ultralight Beam,” saying a gravelly prayer for “everyone who feels they’re not good enough.” Just as The Life of Pablo is West’s seventh album, Rebirth was this gospel legend’s seventh effort, one that found him at the same sort of crossroads, inasmuch as he was an important, critically adored artist trying to make sense of an increasingly fractured world. All of them are worth the time and attention you’ve put into tracking down the demo version of “Wolves.” Here’s a list of albums for further exploration, some by Pablo collaborators, others by artists he sampled on the record, others spiritual predecessors. But The Life of Pablo might be his most eclectic album yet, fusing hip-hop and gospel and electronic music and leaving all the seams showing. His greatest talent has always been his ability to combine outside elements into something personal and unique, whether the vocoder moping of 808s & Heartbreak or the operatic grandeur of My Beautiful Dark Twisted Fantasy. Kanye West has spent his solo career folding disparate sounds together.